Tuesday, January 24, 2012

Japan posts first annual trade deficit since 1980 (AP)

TOKYO ? Japan reported its first annual trade deficit since 1980 as it imported expensive energy to offset shortfalls caused by the devastating tsunami and manufacturers shifted production overseas to avoid the damage inflicted by the strong yen.

The 2.49 trillion yen ($32 billion) deficit for 2011 reflects a 2.7 percent decline in the value of Japan's exports to 65.55 trillion yen ($843 billion). In December, the trade balance was a deficit of 205.1 billion yen, according to the Ministry of Finance figures released Wednesday.

"It reflects fundamental changes in Japan's economy, particularly among manufacturers," said Hideki Matsumura, senior economist at Japan Research Institute. "Japan is losing its competitiveness to produce domestically."

"It's gotten difficult for manufacturers to export, so they're they've moved production abroad so that products sold outside the country are made outside the country," he said.

The yen's surge to record levels against the dollar has made Japanese exports more expensive and also erodes the value of foreign earned income when brought home. Currency levels have forced manufacturers including Nissan Motor Co. and Panasonic Corp. to shift some of their output to factories overseas.

At the same time, Japan is facing intense competition from South Korea, Taiwan and Singapore, where labor and production costs are cheaper.

Japanese manufacturers have been battered by a host of negatives in the past year. The tsunami temporarily disrupted the production of automobile makers and other manufacturers. Weakness in the U.S. economy and Europe's debt problems and recent flooding in Thailand, where many Japanese automakers have assembly lines, also contributed to export declines.

Another major factor behind the figures was the impact of the expensive energy imports Japan turned to after the March disaster touched off a nuclear crisis and led the country to shut down, or not restart, a large portion of its reactors, said Martin Schulz, senior economist with the Fujitsu Research Institute.

He said pressure to import energy will continue to weigh heavily on Japan for the next year, but will subside as the country pursues greater efficiency measures.

Schulz argued that Japan's competitiveness globally remains strong, but that companies have had to change their strategies.

"Japan's exports are really focused on high value exports and this market is fairly strong," he said. "Japan's competitiveness is not going down, but it is producing overseas."

The turmoil in Europe and the U.S. has driven up the yen as global investors flock to the currency as a relative safe haven. The yen hit multiple historic highs against the dollar last year.

The yen has weakened to around 77 to the dollar recently, but exporters say it is still too high. Five years ago, the dollar was trading above 120 yen.

Matsumura believes that Japan will likely log another trade deficit this year amid prospects for high energy prices and a persistently strong yen, but that renewed strength in the global and Asian regional economies in 2013 could put Japan back into the black in 2013.

Source: http://us.rd.yahoo.com/dailynews/rss/japan/*http%3A//news.yahoo.com/s/ap/20120125/ap_on_bi_ge/as_japan_trade

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In the wake of Megaupload crackdown, fear forces similar sites to shutter sharing services?

The Feds put the smackdown on Megaupload and its whole executive team last week, charging them with criminal charges for copyright infringement and racketeering in addition to conspiracy to commit copyright infringement and money laundering. As a result, it appears that several other cloud locker companies have curbed their sharing ways to avoid similar DOJ entanglements. FileSonic and Fileserve have eliminated file sharing from their service menus, and Uploaded.to is no longer available to those of us in the US. Naturally, none of these companies have said that Megaupload's legal problems are the reason for the changes, but the timing suggests it's more than mere coincidence. Disagree? Feel free to speculate about the possibilities in the comments below, and let us know if any other online storage services have made similar moves while you're at it.

In the wake of Megaupload crackdown, fear forces similar sites to shutter sharing services? originally appeared on Engadget on Mon, 23 Jan 2012 19:42:00 EDT. Please see our terms for use of feeds.

Permalink Techdirt  |  sourceDigital Trends  | Email this | Comments

Source: http://www.engadget.com/2012/01/23/in-the-wake-of-megaupload-crackdown-fear-forces-similar-sites-t/

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Monday, January 23, 2012

Lawmaker: Closing Strait of Hormuz is Iran's right (AP)

TEHRAN, Iran ? A senior Iranian lawmaker says his country has the right to shutter the strategic Strait of Hormuz in retaliation for oil sanctions on Tehran.

The remarks by Heshmatollah Falahapisheh came as EU nations on Monday agreed in Brussels on an oil embargo against Iran as part of sanctions over the country's controversial nuclear program.

The measure includes an immediate embargo on new contracts for Iranian crude oil and petroleum products while existing ones are allowed to run until July.

Falahapisheh was quoted by the semiofficial Mehr news agency as saying that a closure of the strait ? the passageway for one fifth of the world's oil supply ? is an increasing possibility.

Iran has warned repeatedly it would choke off the strait if sanctions affect its oil sales.

Source: http://us.rd.yahoo.com/dailynews/rss/iran/*http%3A//news.yahoo.com/s/ap/20120123/ap_on_re_mi_ea/ml_iran

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Scientists produce stronger T-rays, bring Tricorders closer to reality

A group of scientists from Imperial College London and Singapore's Institute of Materials Research and Engineering (IMRE) have developed a new technique that could have far reaching impacts for Star Trek fans everywhere. It all involves something known as Terahertz (THz), or T-rays: electromagnetic rays that have already been used in full-body airport scanners and have the potential to be used across a much broader range of medical and environmental applications. Because every molecule can be uniquely identified within the THz range, these T-rays can be used to pick up on cancerous cells and other biological matter, perhaps even within a Tricorder-like scanner. Now, Imperial College's Stefan Maier and his team of scientists say they've found a way to create a stronger beam of T-rays, using so-called "nano-antennas" to generate an amplified THz field. In fact, this field can produce about 100 times more power than most other THz sources, which could allow for sharper imaging devices. "T-rays promise to revolutionize medical scanning to make it faster and more convenient, potentially relieving patients from the inconvenience of complicated diagnostic procedures and the stress of waiting for accurate results," Maier explained. "Thanks to modern nanotechnology and nanofabrication, we have made a real breakthrough in the generation of T-rays that takes us a step closer to these new scanning devices." For more details, check out the links below.

Scientists produce stronger T-rays, bring Tricorders closer to reality originally appeared on Engadget on Mon, 23 Jan 2012 05:22:00 EDT. Please see our terms for use of feeds.

Permalink Gizmag  |  sourceNature Photonics  | Email this | Comments


Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/4xcKFo2uaIw/

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Sunday, January 22, 2012

Rick vs. Newt: The debate factor

Rick Perry's candidacy failed almost entirely on the weakness of his debate performances, while Newt Gingrich's? is thriving on the strength of his. One problem: a good debater doesn't necessarily make a good president.

I try to be careful not to get into the horse race aspects of things around here, but I thought Gov Perry?s rise and fall was notable in the following sense.

Skip to next paragraph Jared Bernstein

?

Before joining the Center on Budget and Policy Priorities as a senior fellow, Jared was chief economist to Vice President Joseph Biden and executive director of the White House Task Force on the Middle Class. He is a contributor to MSNBC and CNBC and has written numerous books, including 'Crunch: Why Do I Feel So Squeezed?'

Recent posts

It takes a lot to run an effective primary campaign these days, with money and organization and name recognition often at the top of the list.? But you also need to be a good debater.? Gov Perry wasn?t, and his high scores on those other assets failed to offset that by a Texas mile.

Newt, on the other hand, is a sharp debater.? And his lack of those other attributes, e.g., organization, has, at least for now, been largely offset by his debating prowess.

But here?s the thing: does being a good debater make you a good president?? I can?t see that it does.

The Christian Science Monitor has assembled a diverse group of the best economy-related bloggers out there. Our guest bloggers are not employed or directed by the Monitor and the views expressed are the bloggers' own, as is responsibility for the content of their blogs. To contact us about a blogger, click here. To add or view a comment on a guest blog, please go to the blogger's own site by clicking on jaredbernsteinblog.com.

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/jYzTHAa2O5c/Rick-vs.-Newt-The-debate-factor

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6 Q's About the News | In Legal Limbo - NYTimes.com

January 20, 2012, 4:46 am By HOLLY EPSTEIN OJALVO
6 Q?s About the News

Use the photo and related article to answer basic news questions.

WHO are being permitted to remain in the United States?

WHAT will their status be?

WHERE will 16 percent of those facing deportation receive legal offers to stay from the government?

WHEN was a law enacted in Colorado requiring police to report any suspected illegal immigrant to the proper authorities?

WHY is the Obama administration trying out this new course with respect to illegal immigrants?

HOW have government agents like judges and immigrant communities responded to the practices being tested?


Related: Our collection ?Learning About U.S. Immigration With The New York Times.?

Source: http://learning.blogs.nytimes.com/2012/01/20/in-legal-limbo/

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Saturday, January 21, 2012

'Portlandia': A state of mind, laughs on IFC (AP)

LOS ANGELES ? When Fred Armisen of "Saturday Night Live" and musician Carrie Brownstein found themselves with time and creativity on their hands, the longtime friends decided to conspire on a few videos.

"Our goal wasn't to be funny, just to make these odd little pieces," Armisen said. It was the two of them, a cameraman and no particular expectations.

"Then some ambition did start to creep in," Armisen recalled. "We said, `Wait a minute, this has the elements of what a TV show would be,'" Armisen recalled.

The result is "Portlandia," the IFC series that's in its second season (10 p.m. EST Fridays). It's a collection of sketches set in a partly real, partly mythic version of Portland that stands in for a certain mindset and community.

Think of "a cool, weird book store" and a record shop, a restaurant with "really, really good seafood" and a movie theater dedicated to indie films, suggests Armisen.

With that backdrop, and with its stars taking on a variety of roles (and sometimes wigs), "Portlandia" sends up city life, pop culture, success-oriented parenting and slivers of obsessive behavior that veer from charming to unnerving ? such as the smiling couple who decorate every available surface with bird designs.

In Friday's episode, "Cool Wedding," militant bike messenger Spyke and his fiancee seek a unique ceremony, and a grocery store shopper (guest star Jack McBrayer of "30 Rock") is scorned when he forgets his reusable bag. A must-see repeat (9:30 p.m. EDT) is highlighted by Portland's annual Allergy Pride Parade ? all allergy sufferers welcome ? and Jeff Goldblum as a knot store owner.

The series has quickly developed a small but avid following, with two important fans at the front of the pack: Jennifer Caserta, IFC's executive vice president and general manager, and mega-producer Lorne Michaels ("Saturday Night Live," "30 Rock").

"Portlandia" is "a perfect fit for IFC," said Caserta. The channel had been expanding its original programming and "an alternative comedy was something we were honing in on, something that our audience wanted from us," she said.

Co-created by Jonathan Krisel, the show and its stars "felt very right for us and different from any sketch show we've seen before," Caserta said. It's a match for IFC's programming that is "irresistibly on the fringes of what of what you would normally find elsewhere."

Michaels, executive producer of "Portlandia," calls it "so inventive" and applauds IFC for letting the creative team keep the show's concept pure and laser-focused.

"They're only doing it for the audience that wants it. No other audience need apply," he said, laughing. "And it found an audience: It's a little hit. I notice that, because people will go out of their way to mention the show to me."

And that includes the city and its residents, who provide the starting point for parody.

"You have to see it in Portland! They love it," Michaels said. "I went out there this summer and spent a few days with (the production team). The show soaks up what's happening there and celebrates it and has a nice way of being funny about it without betraying anything."

Season two was crafted with more emphasis on relationships, Armisen said, especially on couples who "work as a unit" and speak in the same voice. There's Portland-style bicycle action, of course, including bicycle movers and a bicycle valet.

Brownstein and Armisen, who met in 2003, share indie-rock music roots. The two also have a similar "fear of stillness," said Brownstein, which set them on the path to "Portlandia."

While she describes music as her "first love" (she released a new album last year with the new band Wild Flag), she enjoys mixing it up.

"Creatively, it's nice to have different outlets and mediums for your ideas," she said.

There was another reason for them to work on what began as short web videos under the title "Thunder Ant": It gave the New York-based Armisen a reason to visit his Portland-based friend and collaborator.

"When you're not dating someone it's weird to fly across the country and not have a purpose," she said. "So we created a purpose."

She has high praise for her co-star and pal.

"I love Fred's quickness. ... He's somebody who is pulling the rug out from beneath you and you have to scramble to find it. It's an exhilarating world and I'm glad to be part of it."

___

AP Television Writer Frazier Moore in New York contributed to this report.

___

EDITOR'S NOTE ? Lynn Elber is a national television columnist for The Associated Press. She can be reached at lelber(at)ap.org.

___

Online:

http://wwww.ifc.com

Source: http://us.rd.yahoo.com/dailynews/rss/tv/*http%3A//news.yahoo.com/s/ap/20120120/ap_en_tv/us_tv_portlandia

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Former trailblazer Kodak files for Chapter 11

FILE - In this late 1920's file photo, Eastman Kodak Co. founder George Eastman, left, and Thomas Edison pose with their inventions. Edison invented motion picture equipment and Kodak invented roll-film and the camera box, which helped to create the motion picture industry. The glory days when Eastman Kodak Co. ruled the world of film photography lasted for over a century. (AP Photo)

FILE - In this late 1920's file photo, Eastman Kodak Co. founder George Eastman, left, and Thomas Edison pose with their inventions. Edison invented motion picture equipment and Kodak invented roll-film and the camera box, which helped to create the motion picture industry. The glory days when Eastman Kodak Co. ruled the world of film photography lasted for over a century. (AP Photo)

FILE - In this Sept. 4, 2008 file photo, old Kodachrome slides are seen in Clarence, N.Y. The Eastman Kodak Co. is retiring its most senior film after 74 years in the company's portfolio because of declining customer demand in an increasingly digital age. The glory days when Eastman Kodak Co. ruled the world of film photography lasted for over a century. (AP Photo/David Duprey, File)

FILE - In this undated file photo released by Eastman Kodak Company an unidentified Kodak technician displays image sensors embedded on a silicon wafer at Eastman Kodak Inc., in Rochester, N.Y. The glory days when Eastman Kodak Co. ruled the world of film photography lasted for over a century. (AP Photo/Eastman Kodak Company, file)

In this Jan. 5, 2012 photo, the George Eastman Memorial, where Eastman's ashes rest in an urn beneath the central stone, is shown with a closed sign in Rochester, N.Y. The glory days when Eastman Kodak Co. ruled the world of film photography lasted for over a century. (AP Photo/David Duprey)

An unidentified person enters Kodak Headquarters in Rochester, N.Y., Thursday, Jan. 5, 2012. Eastman Kodak Co. said early Thursday Jan. 19, 2012 it has filed for Chapter 11 bankruptcy protection, as it seeks to boost its cash position and stay in business. (AP Photo/David Duprey)

(AP) ? Kodak's moment has come and gone.

The glory days, when Eastman Kodak Co. ruled the world of film photography, lasted for over a century. Then came a stunning reversal of fortune: cutthroat competition from Japanese firms in the 1980s and a seismic shift to the digital technology it pioneered but couldn't capitalize on. Now comes a wistful worry that this American business icon is edging toward extinction.

Kodak filed for Chapter 11 bankruptcy protection on Thursday, raising the specter that the 132-year-old trailblazer could become the most storied casualty of a digital age.

Already a shadow of its former self, cash-poor Kodak will reorganize in bankruptcy court, as it seeks to boost its cash position and stay in business. The Rochester, N.Y.-based company hopes to peddle a trove of photo patents and morph into a new-look powerhouse built around printers and ink. Even if it succeeds, it seems unlikely to ever resemble what its red-on-yellow K logo long stood for ? a brand synonymous in every corner of the planet with capturing, collecting and sharing images.

"Kodak played a role in pretty much everyone's life in the 20th century because it was the company we entrusted our most treasured possession to ? our memories," said Robert Burley, a photography professor at Ryerson University in Toronto.

Its yellow boxes of film, point-and-shoot Brownie and Instamatic cameras, and those hand-sized prints that made it possible for countless millions to freeze-frame their world "were the products used to remember ? and really define ? what that entire century looked like," Burley said.

"One of the interesting parts of this bankruptcy story is everyone's saddened by it," he continued. "There's a kind of emotional connection to Kodak for many people. You could find that name inside every American household and, in the last five years, it's disappeared."

Kodak has notched just one profitable year since 2004. At the end of a four-year digital makeover during which it dynamited aged factories, chopped and changed businesses and eliminated tens of thousands of jobs, it closed 2007 on a high note with net income of $676 million.

It soon ran smack into the recession ? and its momentum reversed.

Years of investor worries over whether Kodak might seek protection from its creditors intensified in September when it hired major restructuring law firm Jones Day as an adviser. Its stock, which topped $94 in 1997, slid below $1 a share for the first time and, by Jan. 6, hit an all-time closing low of 37 cents.

Three board members recently resigned, and last week, the company announced that it realigned and simplified its business structure in an effort to cut costs, create shareholder value and accelerate its long-drawn-out digital transformation.

The human toll reaches back to the 1980s, when Tokyo-based Fuji, an emerging archrival, began to eat into Kodak's fat profits with novel offerings like single-use film cameras. Beset by excessive caution and strategic stumbles, Kodak was finally forced to cut costs. Its long slide had begun.

Mass layoffs came every few years, unraveling a cozy relationship of company and community that was perhaps unequaled in the annals of American business. Kodak has sliced its global payroll to 18,800 from a peak of 145,300 in 1988, and its hometown rolls to 7,100 from 60,400 in 1982.

Veteran employees who dodged the well-worn ax are not alone in fearing what comes next. Some 25,000 Kodak retirees in this medium-sized city on Lake Ontario's southern shore worry that their diminished health coverage could be clawed back further, if not disappear, in bankruptcy court.

It's a far cry from George Eastman's paternalistic heyday.

Founded by Eastman in 1880, Kodak marketed the world's first flexible roll film in 1888 and turned photography into an overnight craze with a $1 Brownie camera in 1900. Innovation and mass production were about to put the world into cars and airplanes, the American Century was unfolding, and Kodak was ready to record it.

"It's one of the few companies that wiggled its way into the fabric of American life and the American family," said Bob Volpe, 69, a 32-year employee who retired in 1998. "As someone at Kodak once said, 'We put chemicals in one end so our customers can get memories out the other.'"

Intent on keeping his work force happy ? they never organized a union ? Eastman helped pioneer profit-sharing and, in 1912, began dispensing a generous wage dividend. Going to work for Kodak ? "taking the life sentence," as it was called ? became a bountiful rite of passage for generations.

"Most of the people who worked at Kodak had a middle-class life without a college education," Volpe said. "Those jobs paid so well, they could buy a boat, two cars, a summer place, and send their kids to college."

Propelled by Eastman's marketing genius, the "Great Yellow Father" held a virtual monopoly of the U.S. photographic industry by 1927. But long after Eastman was stricken with a degenerative spinal disorder and took his own life in 1932, Kodak retained its mighty perch with a succession of innovations.

Foremost was Kodachrome, a slide and motion-picture film extolled for 74 years until its demise in 2009 for its sharpness, archival durability and vibrant hues. In the 1960s, easy-load Instamatic 126 became one of the most popular cameras ever, practically replacing old box cameras.

In 1975, using a new type of electronic sensor invented six years earlier at Bell Labs, engineer Steven Sasson created the first digital camera, a toaster-size prototype capturing black-and-white images at a resolution of 0.1 megapixels.

Through the 1990s, Kodak splurged $4 billion on developing the photo technology inside most of today's cellphones and digital devices. But a reluctance to ease its heavy reliance on film allowed rivals like Canon Inc. and Sony Corp. to rush largely unhindered into the fast-emerging digital arena. The immensely lucrative analog business Kodak worried about undermining too soon was virtually erased in a decade by the filmless photography it invented.

"If you're not willing to cannibalize yourself, others will do it for you," said Mark Zupan, dean of the University of Rochester's business school. "Technology is changing ever more rapidly, the world's becoming more globalized, so to stay at the top of your game is getting increasingly harder."

In November, Kodak warned it could run out of cash in a year if it didn't sell 1,100 digital-imaging patents it's been shopping around since July. Analysts estimate they could fetch at least $2 billion.

In the meantime, Kodak has focused its future on new lines of inkjet printers that it says are on the verge of turning a profit. It expects printers, software and packaging to produce more than twice as much revenue by 2013 and account by then for 25 percent of the company's total revenue, or nearly $2 billion.

CEO Antonio Perez said in a statement Thursday that the bankruptcy filing is "a necessary step and the right thing to do for the future of Kodak." The company has secured $950 million in financing from Citigroup Inc., and expects to be able to operate its business during bankruptcy reorganization and pay employees.

On its website, Kodak assured customers that the nearly $1 billion in debtor-in-possession financing would be sufficient to pay vendors, suppliers and other business partners in full for goods and services going forward. The bankruptcy filing in the Southern District of New York does not involve Kodak's international operations.

"To be able to hop from stone to stone across the stream takes great agility and foresight and passion for excellence, and Kodak is capable of that. They have some killer stuff in inkjet printing. It's becoming a profitable product line but what they need is the runway to allow it to take off," Zupan said. "As the saying goes, 'the best way to anticipate the future is to invent it.'"

The company and its board are being advised by Lazard, FTI Consulting Inc. and Sullivan & Cromwell LLP. Dominic DiNapoli, vice chairman of FTI Consulting, will serve as chief restructuring officer. Kodak expects to complete its U.S.-based restructuring during 2013.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/495d344a0d10421e9baa8ee77029cfbd/Article_2012-01-19-Kodak's%20Legacy/id-151ceb0bb7614f948e5957657427e474

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Friday, January 20, 2012

Sydney Levin: Teen Mom 2 Recap: Sitting, Waiting, Wishing

Note: The following contains spoilers if you have not seen Season 2, Episode 6 of "Teen Mom 2," entitled "Making Moves."

Update: Shortly before this episode of "Teen Mom 2" aired, Jenelle was arrested on Mon., Jan 17 for violating a domestic violence probation order. It was her second arrest in one week.

Jenelle:
Yikes ... smells like broken teen spirit. Oh wait sorry, that was just Jenelle smoking the weed.

By the way, did Jenelle mention that she loves the weed? 'Cause she does, and not being able to smoke it because she's on probation/it's illegal is really just unfair! Speaking of unfair, living with Bahbrah is insufferable because she has intense rules like "stahhht looking for work" and "don't sleep till noooon."

All those things are hard to do, though, when you're actively trying to avoid reefer and other things it rhymes with, like Kieffer. So in order to start fresh, Jenelle decides to move out and live with a darling couple named Tori and Tyler. (Hello, spinoff!)

While packing up Jenelle's room, her friend comes across an old note from Kieffer that would make Morrissey and the gods of love weep. It says: "I'm better at writing my words than speaking them. I don't know why you make me feel the way you do. We belong together princess, and we don't gotta prove shit to no one." Jenelle's friend rips it up.

When she's all settled into her new pad (with Kief-speare on her mind), Jenelle gets a Facebook message.

Kieffer writes: "I miss yu baby u meen everything to me plz come talk to me I am lost without yu 117." While we don't know what '117' stands for, it's obvious that love means never having to say, "I'm sorry I don't believe in punctuation."

Jenelle writes, "yu can come to my house if yu like," noting that "no funny business" can take place. For example, if he finds the letter 'O' on his way over, he must be sure to avoid it because that consonant's cray. When he arrives, they promptly forgive each other and decide to take things slow. In case you were wondering, they are NOT dating. They are talking and working things out. One can only assume that this beautiful union is destined to last ... at least, until next week.


Chelsea:
Chelsea's already brought home the leopard, so now it's time to focus on the bacon. She needs to get a job, and she knows just where to find it ... the local tanning salon, Year Round Brown. (That's not a joke, it's really the name.) A fine piece of leather conducts the interview, and since Chelsea's already a good shade of orange, she gets the gig.

It's obviously not her dream job, but it's a way to make some money and get her out of the house. Her dad is glad she's "getting some purpose in life," but mean boyfriend Adam mostly wants her to get melanoma.

His default setting is "Miserable," but when he comes over to hang with Chelsea and this random pug that's sometimes around, he's in a particularly foul mood. Chelsea wants to watch a movie, but Adam would rather star in his own film, entitled "Verbally Abuse the Mother of Your Child." He calls her "stupid as hell" and wonders why she gives him the "dumbest looks in the world." (That's kinda just her face, guy).

Chelsea knows she should be happy, but The First Man has her seriously depressed. If she was capable of looking pale, she would be. "It's like I'm this close to my own place with Adam and Aubree, and the only thing stopping it is he doesn't want it." She understands she can't change his mind or heart, but something tells us she's still going to try.


Kailyn:
Kailyn's worried about her decision to petition Jo for child support, so she invites some local scholars named Mark and Dylan to discuss things over pizza. She explains that Isaac deserves more than she can give him and since Jo lives at home and makes good money, he has a larger financial obligation to his son.

Meanwhile, Jo sits in his parents' home that he stays in for free and tells his brother that Kailyn is "living off the government" and is basically trying to pull a fast one on him. Why doesn't she understand that he cannot waste half of his paychecks on his son's diapers and clothing when he has a music career to cultivate? Did no one hear the incredible flows he spit in his rap song "Unthinkable Remix"? Does anybody realize how much it costs to rent a Hampton Inn room for a dope music video? Backpack rappers get no respect, man.

In the real world, Kailyn gets a letter explaining that if things go her way, Jo will owe $489 a month, plus $89 for "back child support." After Jordan (the Oprah of "Teen Mom 2" boyfriends) urges her to talk with Jo, she gives him a call. They decide to meet in a hallowed spot: Tic Toc Diner.

Upon entering Ke$ha's restaurant, Kailyn is struck with a rare and seldom-discussed disorder: Baby Nickname Overkill-itis. She calls Isaac "stinky" not once, not twice, but five times in a row. OK, he gets it: He could use a bath -- but honestly Kail, your hair isn't screaming "I shower regularly" either.

The only thing more intense than their discussion is Kailyn's gum chomping. She tries to play it cool, but her overactive jaw gives her away. Seriously, cows are in awe. She's obviously a nervous wreck, and with good reason: Jo's really standing his ground. After a few rounds of verbal sparring that devolves into cursing, nobody wins, and Jo's planning to appeal. "If I'm going to fight with you, it's going to be in court," he says. Looks like somebody's gonna write a real emotional song tonight.


Leah:
Leah and Corey can finally stop worrying about little Ali and start focusing on her development, but there's a catch -- her doctors are over an hour away, near Leah's mom. Leah is aching to leave the trailer park behind, but they can't afford it. Poor Corey's about as down in the mouth as a mouth-breather can be. His job doesn't pay well and the insurance is awful.

He's thinking about becoming a coal miner because the money is better and he hasn't seen "October Sky." It sounds pretty awful, but Corey's willingness to go down into the dark (isn't that like, what happens?) casts a new light on him. He seems totally aloof, but maybe he's just too busy puzzling over their future -- and Ali's mysterious illness -- to spend much time talking. Or, maybe he just isn't very bright and I just saw a great chance for some imagery and went with it. Either way.

Just as the family seems to be taking some baby steps forward, a startling letter stops them in their tracks. "The case of Alianna's clinical presentation remains unknown. She may have an unspecified form of Skeletal Dysplasia," it reads. The couple has no idea what this means, so Leah searches the web. Most of the definitions are confusing, but the phrase "sometimes called Dwarfism" is hard to misinterpret.

Finally, a doctor explains to Leah that because of Ali's age and size, they can't test for every possible issue right now. "Until she gets older" a skeletal condition can't be ruled out. Corey puts it eloquently: "The bones don't grow right."

Leah and Corey will have to wait 12 months before they can bring Ali back ... but when every passing minute feels like a year, a year probably feels like a decade.

"Teen Mom 2" airs Tuesdays at 10 p.m. EST on MTV

Need help? In the U.S., call 1-800-799-SAFE (7233) for the National Domestic Violence Hotline.

?

Source: http://www.huffingtonpost.com/sydney-levin/teen-mom-2-recap_b_1210613.html

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Former trailblazer Kodak files for Chapter 11 (AP)

ROCHESTER, N.Y. ? Is Kodak's moment past?

The glory days when Eastman Kodak Co. ruled the world of film photography lasted for over a century. Then came a stunning reversal of fortune: cutthroat competition from Japanese firms in the 1980s and a seismic shift to the digital technology it pioneered but couldn't capitalize on. Now comes a wistful worry that this icon of American business is edging toward extinction.

Kodak filed for Chapter 11 bankruptcy protection on Thursday, raising the specter that the 132-year-old trailblazer could become the most storied casualty of a digital age that has whipped up a maelstrom of economic, social and technological change.

Already a shadow of its former self, cash-poor Kodak will now reorganize in bankruptcy court as it seeks to boost its cash position and stay in business. The Rochester, N.Y.-based company is pinning its hopes on peddling a trove of photo patents and morphing into a new-look powerhouse built around printers and ink. Even if it succeeds, it seems unlikely to ever again resemble what its red-on-yellow K logo long stood for ? a signature brand synonymous in every corner of the planet with capturing, collecting and sharing images.

"Kodak played a role in pretty much everyone's life in the 20th century because it was the company we entrusted our most treasured possession to ? our memories," said Robert Burley, a photography professor at Ryerson University in Toronto.

Its yellow boxes of film, point-and-shoot Brownie and Instamatic cameras, and those hand-sized prints that made it possible for countless millions to freeze-frame their world "were the products used to remember ? and really define ? what that entire century looked like," Burley said.

"One of the interesting parts of this bankruptcy story is everyone's saddened by it," he continued. "There's a kind of emotional connection to Kodak for many people. You could find that name inside every American household and, in the last five years, it's disappeared. At the very least, digital technology will transform Kodak from a very big company to a smaller one. I think we all hope it won't mean the end of Kodak because it still has a lot to offer."

Kodak has notched just one profitable year since 2004. At the end of a four-year digital makeover during which it dynamited aged factories, chopped and changed businesses and eliminated tens of thousands more jobs, it closed 2007 on a high note with net income of $676 million.

It soon ran smack into the recession ? and its momentum slipped into reverse.

Years of investor worries over whether Kodak might seek protection from its creditors intensified in September when it hired major restructuring law firm Jones Day as an adviser. Its stock, which topped $94 in 1997, skidded below $1 a share for the first time and, by Jan. 6, hit an all-time closing low of 37 cents. Multiple board members recently resigned, and last week the company announced that it realigned and simplified its business structure in an effort to cut costs, create shareholder value and accelerate its long-drawn-out digital transformation.

The human toll reaches back to the 1980s when Tokyo-based Fuji, an emerging archrival, began to eat into Kodak's fat profits with novel offerings like single-use film cameras. Beset by excessive caution and strategic stumbles, Kodak was finally forced to cut costs. Its long slide had begun.

Mass layoffs came every few years, unraveling a cozy relationship of company and community that was perhaps unequaled in the annals of American business. Kodak has sliced its global payroll to 18,800 from a peak of 145,300 in 1988, and its hometown rolls to 7,100 from 60,400 in 1982.

Veteran employees who dodged the well-worn ax are not alone in fearing what comes next. Some 25,000 Kodak retirees in this medium-sized city on Lake Ontario's southern shore worry that their diminished health coverage could be clawed back further, if not disappear, in bankruptcy court.

It's a long cry from George Eastman's paternalistic heyday.

Founded by Eastman in 1880, Kodak marketed the world's first flexible roll film in 1888 and turned photography into an overnight craze with a $1 Brownie camera in 1900. Innovation and mass production were about to put the world into cars and airplanes, the American Century was unfolding, and Kodak was ready to record it.

"It's one of the few companies that wiggled its way into the fabric of American life and the American family," said Bob Volpe, 69, a 32-year employee who retired in 1998. "As someone at Kodak once said, `We put chemicals in one end so our customers can get memories out the other.'"

Intent on keeping his work force happy ? they never organized a union ? Eastman helped pioneer profit-sharing and, in 1912, began dispensing a generous wage dividend. Going to work for Kodak ? "taking the life sentence," as it was called ? became a bountiful rite of passage for generations.

"Most of the people who worked at Kodak had a middle-class life without a college education," Volpe said. "Those jobs paid so well, they could buy a boat, two cars, a summer place, and send their kids to college."

Propelled by Eastman's marketing genius, the "Great Yellow Father" held a virtual monopoly of the U.S. photographic industry by 1927. But long after Eastman was stricken with a degenerative spinal disorder and took his own life in 1932, Kodak retained its mighty perch with a succession of magical innovations.

Foremost was Kodachrome, a slide and motion-picture film extolled for 74 years until its demise in 2009 for its sharpness, archival durability and vibrant hues. In the 1960s, easy-load Instamatic 126 became one of the most popular cameras ever, practically replacing old box cameras. In 1975, engineer Steven Sasson created the first digital camera, a toaster-size prototype capturing black-and-white images at a resolution of 0.1 megapixels.

Through the 1990s, Kodak splurged $4 billion on developing the photo technology inside most cellphones and digital devices. But a reluctance to ease its heavy reliance on film allowed rivals like Canon Inc. and Sony Corp. to rush largely unhindered into the fast-emerging digital arena. The immensely lucrative analog business Kodak worried about undermining too soon was virtually erased in a decade by the filmless photography it invented.

"If you're not willing to cannibalize yourself, others will do it for you," said Mark Zupan, dean of the University of Rochester's business school. "Technology is changing ever more rapidly, the world's becoming more globalized, so to stay at the top of your game is getting increasingly harder."

In November, Kodak warned it could run out of cash in a year if it didn't sell 1,100 digital-imaging patents it's been shopping around since July. Analysts estimate they could fetch at least $2 billion.

In the meantime, Kodak has focused its future on new lines of inkjet printers that it says are on the verge of turning a profit. It expects printers, software and packaging to produce more than twice as much revenue by 2013 and account by then for 25 percent of the company's total revenue, or nearly $2 billion.

CEO Antonio Perez said in a statement Thursday that the bankruptcy filing is "a necessary step and the right thing to do for the future of Kodak." The company has secured $950 million in financing from Citigroup Inc., and expects to be able to operate its business during bankruptcy reorganization and pay employees.

On its website, Kodak assured customers that the nearly $1 billion in debtor-in-possession financing would be sufficient to pay vendors, suppliers and other business partners in full for goods and services going forward. The bankruptcy filing in the Southern District of New York does not involve Kodak's international operations.

"To be able to hop from stone to stone across the stream takes great agility and foresight and passion for excellence, and Kodak is capable of that. They have some killer stuff in inkjet printing. It's becoming a profitable product line but what they need is the runway to allow it to take off," Zupan said. "As the saying goes, `the best way to anticipate the future is to invent it.'"

The company and its board are being advised by Lazard, FTI Consulting Inc. and Sullivan & Cromwell LLP. Dominic DiNapoli, vice chairman of FTI Consulting, will serve as chief restructuring officer. Kodak expects to complete its U.S.-based restructuring during 2013.

Source: http://us.rd.yahoo.com/dailynews/rss/topstories/*http%3A//news.yahoo.com/s/ap/20120119/ap_on_hi_te/us_kodak_s_legacy

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Thursday, January 19, 2012

Fire at prof's home reveals cache of child porn

Courtesy NBC10

Authorities say firefighters in southern New Jersey uncovered a cache of child pornography while battling flames in the home of an architecture professor.

By NBCPhiladelphia.com

Firefighters battling an Ocean County, N.J., blaze found something hidden within the home?s walls that put the owner in deep trouble with the law, according to New Jersey State Police.

Firefighters arrived Tuesday to the blaze on the 500 block of Dock Road in West Creek, Eagleswood Township to find heavy smoke and flames coming from the roof, authorities said.

As firefighters from at least five municipalities battled the blaze, they worked to make sure the fire wasn?t spreading so they began to pull back the sheet rock ceilings, according to state police.

For more, visit NBCPhiladelphia.com.

As they did, child pornography materials fell down from the ceiling, cops said.

The homeowner, Gamal El-Zoghby, 75, was arrested and hit with child endangerment charges stemming from the porn discovery, according to police.

El-Zoghby, who is an architect listed as a professor at Pratt Institute in Brooklyn, N.Y., and reportedly designed the home, was processed and released, authorities said.

Police didn?t say how much child porn was found in the home.

The cause of the blaze remained under investigation as of Wednesday night.

Source: http://usnews.msnbc.msn.com/_news/2012/01/19/10189228-fire-at-profs-home-yields-cache-of-child-porn

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Pancreatic Cancer Foundation Reports Progress ? CBS Detroit

A scanning electron microscope picture of a cancer cell. Uncredited photo from Wikimedia Commons

A scanning electron microscope picture of a cancer cell. Uncredited photo from Wikimedia Commons

BLOOMFIELD HILLS ? Sky Foundation Inc., a?nonprofit dedicated to raising awareness and funding research for the early detection of pancreatic cancer, Wednesday announced it raised about?$111,000 in 2011, bringing the total raised since its inception in 2008 to nearly $340,000.

Sky Foundation funds a scientific and physician partnership between the Barbara Ann Karmanos Cancer Institute, Henry Ford Health System and Wayne State University. The foundation?s goal is to fund research to develop an advanced blood screening test identifying antibodies indicating a malignancy in the pancreas. The antibodies will be used as diagnostic markers that aid in the early detection of pancreatic cancer.

Sky Foundation raised the money in a variety of ways: at its annual brunch in November, and through individual gifts, memorial donations, and smaller fundraisers.

Also in 2011, Sky Foundation funded two blood draw events as part of a clinical research study by Henry Ford Health System and the Barbara Ann Karmanos Cancer Institute to develop a rapid and inexpensive blood screening test for the early diagnosis of pancreatic cancer. In early 2012, it began funding a research study of blood serum specimens obtained at the time of endoscopic ultrasound, a procedure used to diagnosis pancreatic cancer.

?I am thrilled that we are able to fund these two very important components of the research project, and I am hopeful this means that very soon we?ll have the test to detect pancreatic cancer at an early stage,? said foundation founder Sheila Sky Kasselman.

The Sky Foundation research team consists of Michael Tainsky, Barbara Ann Karmanos Cancer Institute and Wayne State University; Steven Dudas, Barbara Ann Karmanos Cancer Institute, Ann Silverman, M.D., War Memorial Hospital, Sault Ste. Marie; Osama H. Alaradi, M.D., Henry Ford Health System; Robert Pompa, M.D., Henry Ford Health System; M. Margaret French, RN, Henry Ford Health System

For more information or to make a donation, visit www.skyfoundationinc.org.

Source: http://detroit.cbslocal.com/2012/01/18/pancreatic-cancer-foundation-reports-progress/

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Wednesday, January 18, 2012

A Minute With: Sundance Film Festival director John Cooper (Reuters)

PARK CITY, Utah (Reuters) ? The Sundance Film Festival kicks off on Thursday, starting ten days of movie screenings and providing the launching pad for some of the world's top low-budget features and documentaries at the largest U.S. gathering for independent filmmakers.

The 117 movies to be screened at the festival held in the ski resort of Park City, Utah were selected from 4,042 features submitted, including 24 in competition.

Festival director John Cooper, Sundance's chief programmer, spoke to Reuters about the tone of the films selected and how first time filmmakers can be hopeful with new technology making films easier to turn around and offering a variety of platforms for films to reach audiences.

Q. What are you seeing that's different in the overall tone of the films selected this year?

A. "What I am seeing in general is that the independent film movement or community is maturing a little bit. The bar gets set higher each year. It doesn't seem to be leveling off. Each year the films are coming in with more depth of quality and over arching completeness and vision. This bar is set and other filmmakers coming up through the ranks know that is there."

Q. Some thought that with technology improving cameras and editing and sometimes making it cheaper to make indie films it might go the other way -- that quality might diminish with a more crowded field, why do you think quality is improving?

A. "There are a lot of factors. There is more of a community base now as to how they work. I am noticing much more a sharing of cinematographers, of actors and ideas.

"Also what is a happening is that independent filmmakers are looking at a different artistic life for themselves. They are not quite as fast or may never really want to jump to the big Hollywood film or situation for themselves. What a lot of people have learned and what is coming back in the younger filmmakers especially is they want to work in a way that makes them excited and fulfilled."

Q. What about documentaries that premiered last year such as "Senna" which went on to be popular with critics and audiences? What about this year's batch, what themes are you seeing?

A. "They came in a little different this year. They came in a little more overarching and more comprehensive of the issues that are facing the world. Last year they seemed very character-driven with more of a personal perspective. And this year we shift back and forth a little bit, but there are more about issues like hunger, the war on drugs, about global warming and the healthcare crisis. They are very topical issues on a much bigger more comprehensive scale."

Q. Is Sundance still the place for first-time and second-time directors? How has that changed?

A. "It has ramped up I think. It is not just an event for the filmmakers, it is talent too. There are actors that are going to pop out of this festival. For example, the woman from 'Filly Brown,' - it is multi-level discovery."

Q. Investors began to flee the market beginning around five years ago, but last year Sundance saw a more optimistic mood and numerous business deals. Any predictions for this year?

A. "We had a very successful year last year so people are coming to the festival with expectations, which is scary to me sometimes, because it doesn't really mean that much to me. There seems to have been a bit of a market correction both on the filmmakers side with the cost to make a film and what they sell for. It is a little more realistic. But it's very hard to tell.

"What I do know is when I watch the audiences respond in the theater, there is a market for them. Not even a market - there is an audience for them. Now how we connect the right audience to the films -- and I know that these films aren't for everyone but they are for a lot of people - that is where we are still in a big flux."

Q. Are older distribution methods -- theatrical and DVD -- still the key to making money? What stage are we at with web streaming?

A. "I still think theatrical is very real. But it's trickier. Now the talk is not so much about delivery systems but marketing systems. That is the first big shift. And then it's going to be about how you get the films themselves."

Q. Sundance recently announced a new deal for films selected

to be streamed online on sites including iTunes and YouTube should the filmmaker wish. How should filmmakers feel about this going into the festival?

A. "I hope they will step into the festival and breathe easier knowing that there is this great opportunity for them."

Q. Is the divide between Hollywood and indie film growing or getting less?

A. "I think the divide is growing. As Hollywood has its problems with financial things and needs to make films of a certain size, you are splitting, where maybe 10 years ago there was a blending a little bit."

(Reporting By Christine Kearney; editing by Patricia Reaney)

Source: http://us.rd.yahoo.com/dailynews/rss/celebrity/*http%3A//news.yahoo.com/s/nm/20120118/people_nm/us_sundance_preview

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Quirky and fabulous iPhone apps for amateur photographers (Appolicious)

Are you always jealous of your sister?s crazy cool iPhone photos? Or does your Uncle Ted have the best remakes of vintage family photos? Well stop obsessing, it?s not healthy. We have some fabulous photography iPhone apps that will keep you busy spicing up your family photos for hours. And, these distinctive apps are sure to make all your family and friends jealous of your pictorial skills.

The Mr. Chiizu Plus ~ Photo Decoration with Artists app ($0.99) for iPhone is a very artsy photo app for having fun with your family photos. Use one of the five free themes and add your own quirky touch with text bubbles, stickers or drawings. If you get bored with the free themes, there are tons more available through in-app purchase. I love the ?Magic Face Finder? that automatically decorates group photos. And of course, you can share photos on your favorite social media sites.

Don?t you just love those black and white photos of babies where one item will be in color? Check out the free Color Splurge app for iPhone and create this photography effect yourself. This snazzy app fully integrates with Facebook so you can grab your album photos and get artistic with color. Then, upload a flashy new profile picture or share colorful new pictures of your family. You will definitely impress your friends with the pictures you make from this app.

Do you miss the look and feel of your old-school family photos? Then you will absolutely adore the Hipstamatic app ($1.99) for iPhone. And no, you don?t have to be a hipster to use it. This vintage photography app allows you to swap lenses, flashes and films for tons of various effects that spice up your digital photography. You can even order analog photos with this app, or just do the new-school thing and upload them to social media sites.

Photo booths always bring out the goofy in folks of every age. Now you can snap photo booth photos of your family and friends everywhere you go with the PocketBooth iPhone app ($0.99). You can even order hard copies of the photos if you wish or print to your own printer. There are even different effects you can apply to achieve your desired outcome such as sepia,1975, antique and more. This app is perfect for children?s birthday parties and family reunions.

Use the Slow Shutter Cam app ($0.99) for iPhone to create ghost images and waterfall effects to your choice images. This ingenious app gives you a real-time previews, allows you to ?freeze,? select shutter speeds, and even has a handy self-timer, to name just a few of its features. It takes a little playing around with to master the selections, but it?s totally worth the time investment.

Create a list of your favorite photography iPhone apps

Source: http://us.rd.yahoo.com/dailynews/rss/applecomputer/*http%3A//us.rd.yahoo.com/dailynews/external/appolicious_rss/rss_appolicious_tc/http___www_appolicious_com_articles10775_quirky_and_fabulous_iphone_apps_for_amateur_photographers/44196778/SIG=13bjj5sqv/*http%3A//www.appolicious.com/shine/articles/10775-quirky-and-fabulous-iphone-apps-for-amateur-photographers

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Tuesday, January 17, 2012

Obama's 2013 budget a campaign call to arms (Reuters)

WASHINGTON (Reuters) ? When President Barack Obama unveils his annual budget next month, the blueprint will reveal a lot about his re-election strategy but probably little about the spending and tax policies the Congress will adopt in the coming year.

Obama's budget for the 2013 fiscal year will be declared "dead on arrival" in a gridlocked Congress, where lawmakers who control the U.S. purse strings are focused squarely on their own campaigns and the contest for the White House in November 2012.

House of Representatives Republicans, who spent much of last year locked in combat with Obama over fiscal policy, are relishing the budget's release - expected in early February - as another chance to skewer the president as a big spender and the architect of bloated U.S. deficits and a soaring national debt.

On the campaign trail, Mitt Romney, the front-runner in the race to become the Republican presidential nominee who will challenge Obama in the November 6 election, has said it is not "moral" for the United States to keep spending more than it is taking in and has called for a balanced budget.

The last time the United States balanced its budget was under Democrat Bill Clinton, who presided over a booming economy in the 1990s and left office in 2001 with a $128 billion surplus. Democrats lambaste his successor, George W. Bush, for plunging the country into deficit through costly wars in Afghanistan and Iraq and huge tax cuts.

As both sides wrestle for control of the narrative over who is to blame for the huge deficits and how best to slash them, the White House will likely use the budget to try to gain advantage over Republicans in the debate.

'MORE OF A CAMPAIGN DOCUMENT'

Analysts expect Obama to renew his call for an end to the Bush-era tax cuts for wealthier Americans that are due to expire in December. That will be a red flag for Republicans, who say higher taxes - even on the rich - will stifle economic growth.

"What the president will be providing in his budget will be more of a campaign document than it will be a real budget," said

Stan Collender, a former congressional budget aide who is now a partner at Qorvis Communications.

Republican resistance to Obama's budget may play right into a new White House strategy to highlight the "obstructionism" of an unpopular Congress.

The thinking goes that Republican rejection of the budget would help Obama harden his credentials as a fighter for the middle class while enabling him to paint his opponents as the party of the rich.

"The president's budget will reflect his values of making sure that the wealthiest pay their fair share," a White House official told Reuters. The official declined to give specifics of the budget proposal.

The administration is expected to use the budget to try to cast Obama as a leader willing to tackle the nation's fiscal woes by reviving his long-term deficit-cutting plan, which he first proposed to a congressional panel last September.

The administration describes it as a "go-big" plan to tame spiraling debt, but critics say it is thin on specifics.

The plan, which went nowhere after the deficit-reduction talks collapsed, would cut $4 trillion over 10 years, with higher taxes on the wealthy offsetting near-term stimulus spending.

"This is a proposal that is out there, that continues to be part of a package of proposals that the president would like to see implemented," White House spokesman Josh Earnest said.

The White House wants to blunt Republican attacks that the U.S. national debt under Obama has swollen by $5 trillion, to a total of $15 trillion, an issue opinion polls consistently show is a major worry for voters and could hurt Obama's chances of re-election.

HUGE DEFICIT WORRIES VOTERS

The government's trillion dollar-plus budget deficit was the second most important issue for voters in the New Hampshire Republican primaries last week, polls showed.

"The budget, debt is probably the main thing for me. I think the country is going in the wrong direction. I think we spend too much money," said mortgage banker Brian Johnson, 57.

America's national debt is now roughly equal to the size of its economy, a symbolic milestone that the National Republican Congressional Committee, which focuses on House Republican election campaigns, noted had been reached on Obama's watch.

The White House argues that Obama inherited a deficit on track to exceed $1 trillion, and was forced to spend hundreds of billions of dollars to stimulate the economy to avoid the worst recession since the 1930s becoming another Great Depression.

The campaign rhetoric surrounding the release of Obama's budget proposal will just be background noise for investors, who want to see how the administration plans to achieve $1 trillion in spending cuts to domestic and defense programs that the White House and Republicans agreed to last year as part of deal to raise the country's debt limit.

A further $1.2 trillion in automatic spending cuts are due to take effect from January 2013 unless Congress comes up with a plan for long-term deficit reduction. But the White House does not plan to give specifics on how it would implement the potential across-the-board cuts.

Analysts said the administration probably viewed it as smart politics to avoid doing so.

"In an election year Obama will have great motivation to keep those cuts as abstract and unclear as possible," said Ron Haskins, a budget expert at the Washington-based Brookings Institution.

In short, the expected swift death of Obama's budget proposal means Congress is highly unlikely to craft a comprehensive spending plan to keep government agencies operating beyond October 2012.

"The most likely outcome is that we will go into the election under a continuing resolution," said Joe Minarik, a former White House chief economist under Clinton, referring to a stop-gap spending measure that keeps the U.S. government funded only temporarily.

(Additional reporting by Caren Bohan, Tim Reid, Laura MacInnis and Richard Cowan; Editing by Ross Colvin and Peter Cooney)

Source: http://us.rd.yahoo.com/dailynews/rss/obama/*http%3A//news.yahoo.com/s/nm/20120117/pl_nm/us_obamas2013budget

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Monday, January 16, 2012

Video: Movie recalls UK?s ?Iron Lady?

A new film starring Meryl Streep is sparking reflection on the life and times of former British Prime Minister Margaret Thatcher. NBC?s Duncan Golestani reports.

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Source: http://video.msnbc.msn.com/nightly-news/46007562/

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After encampment ends, NYC Occupiers become nomads (AP)

NEW YORK ? It was only a few nights after the Occupy protesters began sleeping in his church sanctuary when the Rev. Bob Brashear realized that his laptop was missing.

The refugees from Manhattan's Zuccotti Park had found their way to his cavernous Presbyterian church on a cold winter evening, hoping to stay for a few nights, maybe longer. It was the latest stopover for the nomadic group, which has been living in a rotating series of churches since the city shut down its camp in November.

"There was a sense of shock and sadness that it had happened," said Brashear, whose laptop will soon be replaced by Occupy organizers. "And there's a common understanding that if there's one more theft in the church, that's it."

This is what the Occupy encampment has become: a band of homeless protesters with no place to go. Amid accusations of drug use and sporadic theft, they've been sleeping on church pews for weeks, consuming at least $20,000 of the donations that Occupy Wall Street still has in its coffers. Their existence is being hotly debated at Occupy meetings: Are these people truly "Occupiers" who deserve free food and a roof over their heads?

"We don't do this out of charity," said 34-year-old Ravi Ahmad, who works for Columbia University and volunteers with Occupy in her spare time. "We do this so that whoever wants to work in the movement can work in the movement. This is a meritocracy."

But money is draining rapidly from Occupy's various bank accounts, which currently amount to about $344,000. Including church maintenance costs and meals, living expenses are more than $2,000 per week.

"We are all aware that the NYPD destroyed the tent homes of many Occupiers in just one night," someone recently wrote on http://www.nycga.net, Occupy's General Assembly website for New York City. "However, where were they living before Zuccotti Park? Are we paying for housing for homeless people who may be relocated to City shelters?"

The movement, which denounces corporate excess and economic inequality, has been fighting to stay afloat in the city where it began. Media attention and donations have dropped off. And although protesters regularly meet to plan demonstrations, recent marches have had none of the spectacle that captivated New Yorkers and watchers worldwide.

On Monday, the metal barricades surrounding Zuccotti Park were removed for the first time since the November raid. But protesters still can't set up tents to camp overnight ? and they don't have a long-term solution to the housing problem.

Their current home is Brashear's West-Park Presbyterian Church, a stately 100-year-old house of worship on the Upper West Side that badly needs renovation. Occupy organizers see the cracks in the ceiling as an opportunity to repay the favor by helping to fix the place up.

There are about 70 Occupiers staying there and another 30 or so at Park Slope United Methodist Church in Brooklyn.

"Everybody tries to get along, make things work," said Donna Marinelli, 52, of New Britain, Conn., who was sitting on the floor in a sleeping bag alongside her cousin, David Monarca. "We were in the park in tents until they raided us. We wanted to stay for the movement. We didn't want to leave when we just got here."

During the daylight hours, Marinelli attends Occupy events and volunteers at an Occupy kitchen in Brooklyn. Nobody is allowed to stay in the church during the day. At night, the place is patrolled by an Occupy security team led by Marine Corps Sgt. Halo Showzah, a 27-year-old Iraq war veteran from the Bronx.

"We walk around the church with flashlights, making noise to wake these people up and making sure they're good," he said. "No sex in the church, no drinking, no smoking, no shooting, no sniffing."

The church was quiet and cozy Wednesday night as about two dozen people staked out their respective corners of the room. Some prefer the balcony; others like to curl up by the door. Someone fiddled around on the piano and sang a few songs as a cat watched from a pew. Showzah wandered around and chatted with everyone, making jokes and doling out advice to the singer.

The security threat is very real here. At least 30 percent of the crowd is a mix of chronically homeless, drug-addicted people, some of whom suffer from "psychological issues," as several protesters put it. Among other rules, the pastor has demanded that the Occupiers station at least one mental health expert "within easy reach" of the church every night.

Even some of the church dwellers themselves are fed up with their fellow pew mates. Chris Allen, 36, is working on a backup plan in case they get kicked out.

"I feel people are messing up the church and we're not going to have it much longer, so I'm worried about putting money in my pocket," said Allen, an unemployed construction worker from Long Island who lives here with his wife. "Because when it snows and I have nowhere to go, I'm not going to be stuck on the streets like everyone else for being idiots."

Who is allowed to stay at the church is a source of contention and perpetual infighting. If you're not on the official list kept by Occupy organizers, you're not allowed inside. But it's unclear what distinguishes the general populace from an Occupier.

One night in December, police officers were called to the Church of St. Paul and St. Andrew when people who weren't on the list came to the door and refused to leave.

"I was turned away one night in the cold and rain," said David Everitt-Carlson, a 55-year-old unemployed former advertising executive who lived in a teepee at Zuccotti Park. "And I slept at Grand Central Station. I found a place behind a Christmas decoration."

About a month ago, a telephone hotline was set up so people could call and request a spot at one of the churches. But space is limited. And each church sojourn has an expiration date.

Some churches willingly opened their doors to provide temporary shelter after the police raid. None of them are equipped to house protesters forever.

"It's a lot of wear and tear on the space," said Michael Ellick, a minister at Judson Memorial Church, which housed protesters for several nights in November. "We're broke, so we don't have a custodial staff. We can't be a full-time housing unit."

During daylight hours, some people migrate down to Occupy's atrium at 60 Wall St., while others head off to hunt for jobs or disappear into the city. At night, there are often counselors on hand for emotional support.

Typical arguments are reminiscent of life at Zuccotti, which had its own share of criminal activity. A frequent complaint, for example, involves a man who apparently never takes showers.

"No fistfights, no weapons involved," said Jeff Brewer, 34, an Occupy organizer. "I believe there was a shampoo bottle that was thrown one time."

Meals are donations from food pantries and leftovers dropped off by nearby restaurants. Occupy's financial donations mostly come in small amounts from private donors, who can funnel money through a myriad of online payment services.

The debate over providing food and shelter for the church Occupiers plays into a larger one that has divided New York's protesters ever since the police raid. While some are determined to occupy another space somewhere in the city, others say an encampment is unnecessary and, at its worst, a burden.

The church dwellers believe they are carrying the torch for the lost encampment ? and that, someday, they will form the foundation of a new one.

"We really have been calling it the `Occupiers army' that we are building," explained protester Jason Harris, a teacher from Massachusetts.

First, though, they'll have to find a way to survive the winter. Brashear hasn't yet decided whether he will allow the protesters to stay at West-Park beyond next week. If they are truly dedicated to forming a community ? and not simply seeking shelter within the church's walls ? he'll be more willing to extend their unspoken lease.

"It's a sort of sink or swim situation," he said. "I think, long-term, they have to make a decision about what, exactly, their movement is about."

Source: http://us.rd.yahoo.com/dailynews/rss/us/*http%3A//news.yahoo.com/s/ap/20120112/ap_on_re_us/us_occupy_wall_street

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Sunday, January 15, 2012

Russia hints foreign sabotage may be behind space program troubles

The head of Russia's space agency said it is 'suspicious' that most of the program's accidents occur in places that Russian radars can't reach.

A humiliating string of accidents that has beset Russia's space program over the past year, and only seems to be getting worse, may be the result of foreign sabotage, the head of the Russian Space Agency (Roskosmos), Vladimir Popovkin, hinted on Tuesday.

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At least seven serious disasters have struck Russian space ventures in little more than a year, wrecking Roskosmos's reputation and putting some of its key projects in doubt.?Mr. Popovkin, who had earlier pointed to industrial failures as the source of Roskosmos' woes, said Tuesday that he found it "suspicious" that many accidents occur in blind spots where they are not covered by Russian radars.

"It is unclear why our setbacks often occur when the vessels are traveling through what for Russia is the 'dark' side of the Earth ? in areas where we do not see the craft and do not receive its telemetry readings," Popovkin said in an interview with the pro-government daily newspaper Izvestia.

"I do not want to blame anyone, but today there are some very powerful countermeasures that can be used against spacecraft whose use we cannot exclude," he added.

The chain of disasters began in December 2010, when a Proton-M rocket plunged into the Pacific Ocean along with three satellites?that had been meant to complete the GLONASS global navigation network, Russia's answer to the US GPS system.

It continued with the crash of a Rokot launcher carrying a military satellite in February, a failed Proton mission in early August, and the spectacular destruction of an unmanned Progress freighter later in August, which rained debris over western Siberia and called into question Roskosmos' ability to resupply the International Space Station (ISS).?

Russia suspended space flights after the accident, and launched an investigation into its causes. Roskosmos resumed supply flights to the ISS in late October, and his since successfully sent one unmanned Progress freighter and two manned Soyuz missions to restore links with the international station.

However, in November, the agency's long-planned Phobos-Grunt Mars probe failed to boost out of its orbit, and is now expected to crash back to earth on Jan. 15. Last month a Soyuz-2 rocket crashed in Siberia, along with a new generation Meridian satellite that was a vital part of a program to update Russia's military communications links.

Source: http://rss.csmonitor.com/~r/csmonitor/globalnews/~3/P6mC7UdjKlI/Russia-hints-foreign-sabotage-may-be-behind-space-program-troubles

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Arab League chief warns of Syria civil war (AP)

BEIRUT ? The head of the Arab League warned Friday that Syria may be sliding toward civil war, as security forces fired on thousands of people who poured into the streets in support of army defectors who switched sides to try to topple President Bashar Assad.

Over the course of the 10-month-old uprising, much of the violence has been from security forces firing on unarmed protesters. But in recent months breakaway soldiers have been attacking the Syrian military, and some opposition members have taken up arms against the regime, adding to the violence.

Despite that, Assad appears to maintain a firm grip on power in the face of growing international pressure to halt his crackdown and step down.

The Arab League chief, Nabil Elaraby, told The Associated Press that Assad's regime was either not complying or only partially complying with an Arab League plan that Syria signed last month to end its crackdown.

"We are very concerned because there were certain commitments that were not complied with," he said in Cairo, where the League is based. "If this continues, it may turn into civil war."

The U.N. estimates more than 5,000 people have been killed since the uprising began in March.

The British-based Syrian Observatory for Human Rights said security forces killed one protester in the central city of Hama and another in the town of Ariha in the northwestern province of Idlib, where more than 20,000 people were demonstrating Friday.

The Observatory reported violence in the southern province of Daraa, the eastern region of Deir el-Zour and the central province of Homs, all centers of frequent protests.

A video posted online by activists showed dozens of people marching in the Damascus neighborhood of Midan, chanting "Freedom forever, despite you Assad!" Midan, where there have been frequent anti-regime protests, was hit by a suicide attack last Friday that killed 26 people.

It wasn't clear who was behind that attack; the government blamed "terrorists" while the opposition suggested the regime orchestrated the blast to tarnish the uprising.

Another video posted Friday showed what appeared to be an armored personnel carrier on fire. The narrator said army defectors attacked the vehicle with a rocket-propelled-grenade.

The Arab League plan calls for removing Syrian forces and heavy weapons from city streets, starting talks with opposition leaders and allowing human rights workers and journalists into the country.

An Arab League team of observers began work in Syria on Dec. 27 to offer an outside view of whether the government is abiding by its agreement to end the military crackdown on dissent.

The mission has been plagued by problems, including accusations that the Syrian government is interfering with the team's work. This week, one of the observers resigned and told the pan-Arab TV channel Al-Jazeera that the monitor mission was a "farce" because of Syrian government control.

Adnan al-Khudeir, head of the Cairo operations room to which the monitors report, told reporters Thursday that two more observers, from Algeria and Sudan, would be returning to their home countries. He did not identify them but said the Algerian gave health reasons and the Sudanese cited personal reasons.

From the beginning, eyebrows were raised at the appointment of Sudanese Gen. Mohammed Ahmed al-Dabi as chief of the observer force. He served in key security positions under Sudanese President Omar al-Bashir, who is wanted for crimes against humanity in Darfur.

That raised questions about whether Arab League member states, with some of the world's poorest human rights records, were fit for the mission to monitor Syria's compliance with a peace plan.

___

Associated Press writer Sarah El Deeb contributed to this report from Cairo.

Source: http://us.rd.yahoo.com/dailynews/rss/topstories/*http%3A//news.yahoo.com/s/ap/20120113/ap_on_re_mi_ea/ml_syria

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