Monday, August 5, 2013

End Zone: How Parcells got to HOF with help from Jersey coach

CANTON ? We were standing outside the hotel, waiting for the bus to take us to the Pro Football Hall of Fame, the last stop of the journey that took Mickey Corcoran and his Jersey guy prot?g? from Oradell to the shrine of football immortals, when his mind began drifting back to that summer of 1956 when he first laid eyes on Bill Parcells.

The occasion was a summer basketball camp, which Corcoran had organized in an effort to get a head start on his program as the head basketball coach for the new regional River Dell High School from the towns of Oradell and River Edge. ?I had already done my homework,? Corcoran, 92, was saying now. ?I?d asked around to find who were the best athletes in Oradell and River Edge and everyone I talked to said the same thing ? the Parcells kid. So I?m watching him working out on the court, and I could tell immediately they were right. He was just physically better ? he wasn?t that fast but he had great quickness, agility and instincts.

?He was just so much better than everyone else.?

Nevertheless, Corcoran was warned Parcells might be in need of an attitude adjustment. A week or so into the summer basketball camp, he was paid a visit by Parcells? dad, ?Chubby,? a legendary football player at Hackensack High and then Georgetown. Corcoran who himself had played high school basketball at St. Cecilia?s in Englewood ? where his coach was Vince Lombardi ? knew all about Chubby and was both surprised and honored he had taken the time to check in on his son?s new basketball coach.

PHOTOS: PARCELLS' HALL-OF-FAME CAREER

?Chubby showed up unexpectedly and took me aside and said: ?Sometimes Duane (Bill?s birth name) needs a boot in the ass. Feel free to take care of business.? At the same time, Bill was checking me out to see what I was doing. It wasn?t until the football season was over and Bill came over to basketball that we started really getting to know each other. I threw him out of the gym two-three times that first year for not controlling his emotions. But he always came back the next day because I knew he?d come back. He was too much of a competitor. ?In a JV game his sophomore year, we?re up 17 points in the second half and he got a (technical). I put him on the bench and now the lead goes from 17 to nine to six and down to none. I was not going to put him back in, though, and we wound up losing by one. If I?d have put him back we probably would?ve won the game but I would?ve lost Parcells.?

As Corcoran recounted the story we were suddenly joined by Parcells himself on the sidewalk. Grinning and embracing Corcoran, Parcells said: ?We?re a long way from Hagler?s (the landmark Oradell bar and restaurant where Parcells hug out as a kid and later held court all through the ?80s and ?90s when he came home to coach the Giants). ?I was telling Billy here about the Park Ridge game . . . ,? Corcoran said.

?Never mind,? Parcells said, interrupting him. ?Your job was to win. It was a good thing you had the principal in your back pocket.?

* * *

RELATED: MYERS: PARCELLS GIVES THANKS TO HALL

In the summers, Parcells played baseball, mostly catching, in every age limit league he could get himself into ? and Corcoran followed him around all over Bergen County, as did major league scouts. After graduating from River Dell, he went to Colgate on a football scholarship, and in the summer of ?59, he was playing baseball in a semi-pro league when a Phillies scout named Ben Marmo offered him a bonus of $50,000. But when he told Chubby, the old man told him he couldn?t take it, that he had to finish college.

?Bill was crushed,? Corcoran said. ?He really wanted to play pro baseball. I have no doubt if they?d had a baseball draft in 1958 when he was graduating from high school, he would not have ever been in pro football ? and we wouldn?t be standing here in front of this building waiting to see him inducted in the Pro Football Hall of Fame.?

Once again, however, it was Corcoran, through his college coaching connections, who got Parcells headed back into football. Furious at his father for not allowing him to sign with the Phillies, Parcells proceeded to quit Colgate after his sophomore year, whereupon Chubby kicked him out of the house in Oradell and told him to get a job.

?Bill shows up at my office at 8:30 one morning in September and says: ?I need your help,? ? Corcoran said. ?He told me he?d committed himself to football and wanted to upgrade to a stronger football program. So I called Hank Foldberg, the head coach at Wichita, who I?d known when he was at West Point, and arranged to get Bill a partial scholarship there.?

RELATED: MYERS: COUGHLIN COULD JOIN PARCELLS IN HOF ONE DAY

Upon graduation from Wichita, Parcells was selected as a linebacker in the fourth round of the NFL draft by the Detroit Lions. But as he said: ?I realized I wasn?t good enough for the NFL. I was married and I needed to get a job. So I went right into coaching.? His first coaching job was as a defensive assistant at tiny Hastings College in Nebraska. After that first year, he called Corcoran and asked him if he?d look into the assistant coaching vacancy at Army, where the head coach, Tom Cahill, had been his former coach at River Dell. ?I called Cahill and told him of Parcells? interest and at first he was a little skeptical,? Corcoran said. ?He asked me why he should hire Bill and I told him: ?For one reason. He?s one of us!? That fall, Corcoran made regular trips to West Point to watch the Cadets? practice sessions. ?I just watched the way Bill interacted with those kids. All the things I tried to instill in him ? the discipline, the coach/player relationships, it was there. You either have it or you don?t. And he had it from the very beginning.?

Theirs would remain a lifelong bond, mentor and prot?g?. In all his years as one of pro football?s most successful coaches in history ? without a doubt the most successful ?turnaround? coach in history ? Parcells surrounded himself with some of the most astute and respected assistants in the business, coaches such as Bill Belichick, Romeo Crennel, Dan Henning, Sean Payton and Tom Coughlin, but on the plane rides to the Super Bowls, the coach who sat next to him, the coach he used as a sounding board, was the coach who threw him out of the gym at River Dell all those years ago. ?I never knew anyone as superstitious as Bill,? Corcoran was saying as we strolled the room of the Friday night enshrinees? Gold Jacket dinner, where Parcells had arranged for a table for him right in front of the dais. ?We?re flying out to California for the first Super Bowl (XXI) versus Denver (in 1987) and I take out my briefcase to do some paperwork for my job as an evaluator of the Big East officials, and what do I see, right on top, but a little ceramic elephant with its tail up. ?What the hell is this?? I say. ?Where did this come from? I didn?t put this in here. (His wife) Delores must have put this in here.? Bill turns to me and says: ?No. I put it in there. It?s an Italian thing for good luck ? an elephant with its tail up.? ?

He was on the sidelines, right behind Parcells, for both the Giants? victorious Super Bowls under the now Hall of Fame coach, as well as all the other championship games, and now, 57 years after that summer basketball camp in Oradell, Mickey Corcoran, the coach?s coach who?d been there for him through all of it, was here for the final chapter in his prot?g??s career: immortality.

?On the plane flight home from that first Super Bowl,? Corcoran recalled, a tear filling in his eye, ?he told me: ?I?ll never let them forget you.? ?

And in his Hall of Fame acceptance speech Saturday night, Parcells kept his word. Looking down at Corcoran sitting in the front row, he told the crowd: ?I want to tell you about a special guy. He?s here tonight. He?s 92 years old. He?s my high school basketball coach. His name?s Mickey Corcoran. He was everything a 14-year-old guy needed ? coach, teacher, disciplinarian, butt-kicker. He?s been like a second father. He knows the love I have in my heart for him. As I said, he?s 92 and I?ve got to get 10 or 15 more years out of you, buster, so let?s go.?

Corcoran waved, and at that moment they were indeed a long way from Hagler?s.

Bill Parcells isn?t the only Hall of Famer that Mickey Corcoran mentored. He also guided a young Bill Madden, the author of this column, who was inducted into the sportswriters wing of the Baseball Hall of Fame in 2010. And like Parcells, whom Corcoran helped get a football scholarship to Wichita State, Madden also got assistance from Corcoran in securing a track scholarship to the University of South Carolina.?

Source: http://feeds.nydailynews.com/~r/nydnrss/sports/~3/gkBj1km5kVU/story01.htm

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Everything You Need to Know About Politics Today, in 2 Paragraphs (Atlantic Politics Channel)

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Raven Symone Comes Out on Twitter

Raven Symone has officially come out.

In celebration of hearing the Supreme Court?s decision to overturn The Defense of Marriage Act and the recent legalizations of gay marriage in Rhode Island and Minnesota, the actress took to Twitter and tweeted, ??I can finally get married! Yay government! So proud of you.?

Symone was then met with overflowing support and the actress even retweeted some of her favourite responses.

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In the past, the star has said her sexual orientation was a private matter.??My sexual orientation is mine, and the person I?m datings to know. I?m not one for a public display of my life,? she posted Twitter page in May 2012.

But releasing a statement yesterday, she said, ?I was excited to hear today that more states legalized gay marriage. I, however am not currently getting married, but it is great to know I can now, should I wish to.?


Source: http://www.andpop.com/2013/08/03/raven-symone-comes-out-on-twitter/

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Sunday, August 4, 2013

Army Entertainment plays major role in American Military Spouses Choir on 'America's Got Talent'

SAN ANTONIO (Aug. 2, 2013) -- A group that got its start in Army Entertainment is the driving force behind the American Military Spouses Choir, an "America's Got Talent" quarterfinalist scheduled to perform Aug. 6 at Radio City Music Hall in New York.

The show will be televised live at 9 p.m. ET on NBC.

The American Military Spouses Choir competing on "America's Got Talent" consists of 37 spouses of active-duty military personnel, including 10 Army wives whose husbands range in rank from sergeant to major general. All told, there are 50 military spouses in the choir, ranging in age from 19 to 54, whose husbands range in rank from corporal to two-star general.

The group is the brainchild of Victor Hurtado, an Army Entertainment veteran who has performed in and directed programs such as the U.S. Army Soldier Show, Operation Rising Star, Military Idol and Stars of Tomorrow, among others, for nearly three decades. Hurtado also founded CAMMO, a non-profit Center for American Military Music Opportunities, which supports the military wives choir.

The group was assembled for a May 6 performance at the 2012 Kennedy Center Spring Gala: An Evening with David Foster & Friends in Washington, where they sang "The Promise That We Make," an original song co-written by Charlie Midnight, who penned "Living in America" for James Brown, and Bernie Herms, who arranged the Natalie Grant version of "Joy to the World."

"They were supposed to do a one-night performance at the Kennedy Center," Hurtado deadpanned. "And, oh, by the way, I put them together over the Internet while directing the last two weeks of Soldier Show last year."

Several clips of Foster introducing the American Military Spouses Choir are available on YouTube, as is footage of them singing "Ain't No Mountain High Enough" on "America's Got Talent."

The lead vocalist for that number, Melissa Gomez, won Army Entertainment's 2010 Operation Rising Star, a military singing contest about to embark on its ninth season.

"Melissa has risen to the top from the very beginning," Hurtado said. "Her training that she got over the years with Army Entertainment was extremely evident."

The military wives climbed their first mountain, which obviously was not high enough, May 10 in Chicago, and advanced to the second round in Las Vegas, where they were told July 16 to pack their bags for a trip to New York City.

"Their performance was strong enough to put them through," said Hurtado, who explained that 60 acts advanced to the "America's Got Talent" quarterfinals in New York, where 12 will perform each week for five weeks. "There were a few that were put through without having to perform again [in Las Vegas]. It's going to keep going because these ladies ain't playin'."

Vicki Golding, Army Entertainment's 2006 Military Idol champion, is the choirmaster for the American Military Spouses Choir.

"She is the reason why we're able to do what we do," Hurtado said. "I send her the arrangements, she writes out the parts, and then Joey [Beebe] checks our work. She has become a real viable music director/choirmaster."

Beebe, another former Soldier Show performer, currently serves as music director of Army Entertainment's marquee program. He also works with Soldiers and military family members competing in Operation Rising Star.

"Joey Beebe is the music director for CAMMO, so that makes him the music director for all the artists that fall under CAMMO," Hurtado said. "When the ladies first met -- they actually met the night before the gig at the Kennedy Center. They had never met before. And Joey has had that choir since that night. He taught them the song. He made it sound amazing. And they performed the next day at the Kennedy Center.

"David Foster said it was some of the best vocal choral work, dynamically, musically, pitch-wise, everything, that he had ever experienced in his life. And he told Joey that himself. Joey just stood there and listened. I've never seen Joey at a loss for words like that before."

Ron Henry, another former Army Entertainment performer and original member of the 4TROOPS recording group, also helps the American Military Spouses Choir.

"He's in line to work with the ladies when one of us is not there," Hurtado said. "Vicki, Joey, Ron and I have all groomed so well that we can all sing, fill in for 4TROOPS, or conduct a choir. To have that sort of stable, that we are all interchangeable like that, is pretty satisfying for someone who had Sgt. Henry coming to Alaska with me, and Spc. Beebe coming to be the first assistant director, or Vicki Golding, who won Military Idol and sings so beautifully and is such a skilled music director. Who knew, right?"

And then there are the ladies getting it done on stage for their troops.

"I have been a military spouse for 34 years and this choir experience validates what I have learned about all military spouses," said Karen Gravlin Bartell of Fort Eustis, Va. "They are strong, loyal, resourceful, supportive, kind-hearted, honest and, of course, talented. "America's Got Talent" and Radio City Music Hall are giving us the chance to show that to America."

"I love being part of a choir that sings in tribute to our military," said Michelle Gable of Fort Meade, Md. "I sing to say 'thank you.' I sing to say 'I love you.' I sing so that those who are silent will be remembered."

"Being in the choir is a dream come true for me," said Gomez, an Army veteran and spouse with the 7th Special Forces Group at Eglin Air Force Base, Fla. "I feel I am part of something so special that is afforded to me because I am a military spouse. Being in New York is still surreal! Performing at Radio City Music Hall solidifies our status as true artists in the music industry and our cause is one worthy of recognition."

"First and foremost, I am in total awe, total shock of where we are now: New York City!" said Yari Dominguez of Fort Rucker, Ala. "And we'll be performing at Radio City Music Hall, where the big dogs perform - where legends have paved that path for others' dreams. It's a true honor to be singing with such an amazing group of ladies, knowing we all represent and stand for the same reason. It's a blessing - a once in a lifetime experience."

"This experience for me is more than just a competition," said Crystal Wood of Bolling Air Force Base in Washington, D.C. "This choir has given me a sisterhood and a support system that I have never had. The love and support we have received from not only military families, but also from the public, is incredible. So many times as a military family, we are isolated and struggle alone. Since being on the show, so many families have said that we have inspired them, when in fact their support has inspired us. We are representing not only military families but also anyone who has been separated from their loved ones or experienced difficult situations. We are a beacon of hope for so many, that no matter how difficult the journey may be, you can always find a glimmer of light and the end of even the darkest tunnel. Performing at Radio City Music Hall is affirmation that as a society we all should support each other and we can overcome even our darkest moments."

"What it means to me to be in this choir is that I'm not alone," said Stephanie Holberg of Fort Leavenworth, Kan. "It's a blast being in New York City, beyond a dream to perform at Radio City Music Hall, and a huge honor to give military spouses a voice. In a world where you hear so much negative news, this is such an amazing forum to share our stories and share something positive and patriotic like military spouses singing for their husbands and choir."

The remaining Army wives in the choir: Brandy Albert and Rachael Smith, both of Fort Belvoir, Va., Deidra Lee Stubbs of Walter Reed National Military Medical Center in Bethesda, Md., and Sonjia Perry of Joint Base Langley-Eustis, Va.

Gen. Martin Dempsey, chairman, Joint Chiefs of Staff, dropped by to visit during one of the American Military Spouses Choir rehearsals and his wife, Deanie, personally thanked the ladies.

More than 35,000 auditioned last autumn for this season of "America's Got Talent," which will culminate in September.

Source: http://www.army.mil/article/108586/Army_Entertainment_plays_major_role_in_American_Military_Spouses_Choir_on__America_s_Got_Talent_/

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Saturday, August 3, 2013

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Read the full article...

Source: http://iranian.com/posts/view/post/18491

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Wagner birthday "Ring" booed: will clan go up in smoke?

By Michael Roddy

BAYREUTH, Germany (Reuters) - Richard Wagner made hand grenades for the 1849 Dresden uprising, so maybe he would have cheered the tumultuous end of his 200th birthday "Ring" cycle in Bayreuth, a production that has raised questions over his heirs running the festival.

A thunderous chorus of boos and hisses, competing with cheers for the singers, conductor and orchestra, greeted the final curtain on Wednesday night of a new staging of the 17-hour-long, four-opera cycle by radical Berlin theatre director Frank Castorf.

The well-heeled and mostly staid Bayreuth audience, frazzled by the summer heat, was in an uproar after experiencing a staging that retained "the master's" text and music but threw in simulated fellatio, group sex, a Kalashnikov instead of a sword to kill a mythological dragon, and copulating crocodiles.

Castorf, prevented by contract from engaging in his usual practice of excising whole passages from theatre classics, layered mini-dramas and live video feeds atop Wagner's 19th-century adaptation of Norse legends about the forging of the Rhine gold into a ring whose wearer rules the world. It ends with a bonfire of the gods in their Valhalla palace.

The cycle, touted as a "Ring" in which the quest for oil replaced the usual scenario about gold, had people scratching their heads wondering whether it was about anything at all. It was also a "Ring" portrayed by the German media as critical to the futures of Wagner's great-grand daughters, Eva Wagner-Pasquier and Katharina Wagner, whose contracts as festival co-managers are up in 2015.

"We like the music, what the conductor is doing," said mayor of Bayreuth Brigitte Merk-Erbe, who will have a say in that decision, and was on the red carpet on opening night to greet the arriving dignitaries. Eva and Katharina were absent.

The city is among the entities, along with the federal and state governments, that has a vote on the renewals. Merk-Erbe said it was too early to say how it would go, but she did have a view on the staging.

"I am not too sure whether the director Castorf, who is doing the 'Ring', perhaps sometimes...is making fun of the audience, but it's not boring," she said.

Longtime Bayreuth aficionados were quick to point out that some of the festival's most famous and successful stagings of "The Ring", such as the one by French director Patrice Chereau in 1976, were booed at the premiere, but that one, in particular, has gone down as one of the best ever.

"Of course this 'Ring' polarizes," said Sven Friedrich, director of the Richard Wagner Museum and National Archive.

"I always say calm down, it is not a matter of peace in the world, it's only theatre,"

Still, this was theatre on and off the stage guaranteed to get a rise out of pretty much any and everyone.

AVOIDING THE RED CARPET

For the second year in a row, Katharina and Eva failed to show up for the red carpet welcoming of dignitaries on the festival's opening night last week with a production of "The Flying Dutchman", which is not part of "The Ring" but a rousing way to kick things off.

Merk-Erbe was there to greet German Chancellor Angela Merkel and her husband, quantum chemist Joachim Sauer, President Joachim Gauck and almost the entire German cabinet, but there was no sign of the Wagners.

"If you have a head of state coming you wait at the top of the stairs, or the bottom, but they weren't there at all," said a former ambassador to Germany, who asked to remain anonymous.

The protocol miscue, criticized in the German press, capped a series of missteps that have plagued the 200th birthday Bayreuth season. In another criticized move, construction work has left the Festspielhaus opera venue and Wagner's "Wahnfried" mansion looking like they'd suffered something of the same fate as the destruction of his gods' Valhalla palace.

Wahnfried is a construction site for the building of a new museum while the most famous facade of the Festspielhaus on the Green Hill at the edge of town is part-covered with a scrim to conceal scaffolding.

The German press and public watch the Wagner family and the goings-on at Bayreuth like hawks, so it was well known the festival failed to engage its first and second choices to direct "The Ring", film directors Lars von Trier and Wim Wenders. It ended up with Castorf, a big name in the 1980s and 1990s when his radical techniques were new and shocking.

What no one could have predicted was just how far Castorf, born in 1951 in then-communist East Berlin, would go.

He recast the "prequel" opera "Rheingold" as a 1960s-something sleazy American soap opera-noir, with the god Wotan decked out as a black-suited Texas oil man cum Las Vegas mobster who cavorted first with his wife Fricka and then with her sister Freia. In the third opera, "Siegfried", the earth goddess Erda performed simulated fellatio on Wotan.

The scenes undermined Fricka's and Erda's roles as the voice of moral authority in the opera in a subverting of traditional portrayals of the characters that Castorf did time and again. The only woman who got away as less than loose was Wotan's daughter Brunnhilde, who is the real heroine of the piece.

Barred by contract from excising text, Castorf instead created new characters, including a Norman Bates-like motel clerk from Alfred Hitchcock's "Psycho", and used video projections to show scenes that were happening behind the mammoth stage sets that included a Texas motel, the Berlin Alexanderplatz U-Bahn subway station, an oil derrick in Azerbaijan, Mount Rushmore in South Dakota with the heads of communist notables replacing American presidents and, last but not least, the New York Stock Exchange. Nowhere was there a Rhine river - except that the floozies portraying the Rhine maidens always showed up in a vintage black Mercedes convertible.

The audience was shocked. Some said they closed their eyes to enjoy the music and singing, praising several in the cast but particularly the Russian conductor Kirill Petrenko. Others were agog, while still others harkened back to the Chereau "Ring" and kept an open mind.

"Maybe this is 'The Ring' of the future," said Rosemarie Dietz-Bauer, a festivalgoer from Munich, who attended morning lectures about the impending nighttime visual onslaught in an attempt to make sense of it.

MORE THAN JUST OPERA

The six-week-long festival season is a big money spinner for Bayreuth, which Wagner originally chose because it was in the middle of nowhere, but now in summer is a cultural and social hub.

Guido Redlich, 48, a marketing consultant from Munich, attended partly for Wagner, and partly for the after-opera socializing.

"I know a lot of people and when I see them afterwards it becomes more easygoing, because during the daytime when you walk around here it's like going to a funeral, it's a horror," he said. "After, in private places, like always in Germany, people need a bit of alcohol, but they get comfortable and they laugh at things."

Other people are not as sanguine, especially the young in a city that became a cultural showplace for the Nazis during World War Two because Wagner was Hitler's favorite composer and the Wagner family welcomed him with open arms.

"In history class I hear of Wagner's anti-Semitism and I'm not cool with that," said Hannes, 24, a university student walking home from a session of frisbee playing with friends.

Bayreuth native Melina Mergehen, 17, said she would be going for the first time because her mother had an extra ticket. She professed ignorance about the Hitler link but asked if it bothered her she said: "No, because it's history. It doesn't matter anymore."

There is a disconnect between the festival and the town that becomes starkly apparent in low-rise cinderblock residential towers on the far side of Bayreuth, near a small Jewish cemetery. There the glittering world of tuxedos, ball gowns and the luxury German automobiles seems almost to be on another planet - or in one of the faraway locales in Castorf's staging.

"Wagner is the German state, and the hill and the baths," a man who gave his name only as Helmut, said, referring to the Green Hill where the festival takes place, and a luxury spa near the tower blocks.

"This is here."

(Editing by Janet McBride)

Source: http://news.yahoo.com/wagner-birthday-ring-booed-clan-smoke-101931943.html

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Friday, August 2, 2013

TCA: 'The League' no longer begging for NFL player cameos

By Tony Maglio

LOS ANGELES (TheWrap.com) - "The League" doesn't need to chase down NFL stars for cameo appearances anymore.

The players - more specifically their agents - are now reaching out to the show, according to executive producer Jeff Schaffer. That said, they're being mindful not oversaturate the program with cameos - a la "Entourage."

And it's not just limited to football anymore. Baseball player Kevin Youkilis, currently of the New York Yankees, approached the cast and producers recently to talk about what a fan he is. The Los Angeles Kings even spent some time with the cast recently, EP Jackie Marcus Schaffer added.

San Diego Chargers tight end Antonio Gates was the show's first major guest athlete in season 1 episode 4. Since then, Chad Johnson, Terry Bradshaw, Josh Cribbs, Terrell Suggs, Maurice Jones-Drew, Matt Forte, Robert Griffin III, Trent Richardson, Jason Witten, DeSean Jackson, Deion Sanders and Adrian Peterson have appeared on the program ... to name just a few.

In the upcoming fifth season, Houston Texans defensive end JJ Watt will be guest starring.

Stars Nick Kroll (Ruxin), Paul Scheer (Andre), Stephen Rannazzisi (Kevin) and Jon Lajoie (Taco) joined executive producers Jeff Schaffer, Jackie Marcus Schaffer on stage at FX Network's panel for "The League" at TCAs Friday.

The show's fifth season premieres Wednesday Sep. 4 at 10:30 on FXX. A sixth season has already been ordered.

Source: http://news.yahoo.com/tca-league-no-longer-begging-nfl-player-cameos-230718910.html

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